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The Visual Toolbox: 60 Lessons for Stronger Photographs (Voices That Matter), by David duChemin
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Simply having a certain camera or lens isn’t going to make you a better photographer. So, what will? Understanding your camera. Thinking differently. Studying photographs and knowing what they provoke in you, and why. Giving the craft time to grow. Looking to painters, designers, and others who work in two dimensions and learning from them. Relentlessly looking for light, lines, and moments. Making photographs–thousands and thousands of photographs. There’s no magic bullet to achieving success, but in these pages you will learn the value of studying, practice, and remembering that your most important assets as an artist are imagination, passion, patience, receptivity, curiosity, and a dogged refusal to follow the rules.
THE VISUAL TOOLBOX is photographer David duChemin’s curriculum for learning not just how to use a camera–but how to make stronger photographs. He has developed 60 lessons, each one a stepping stone to becoming more proficient with the tools of this art, and the means to create deeper visual experiences with your images. David introduces you to the technical side of the craft but quickly moves on to composition, the creative process, and the principles that have always been responsible for making great photographs; he shows you these principles and invites you to play with them, turn them on their heads, and try a different approach to create beautiful, compelling images with your camera.
- Features action-oriented micro-chapters designed to improve your photography immediately
- Includes explanations of 60 concepts with an assignment for nearly every chapter
- Covers such topics as balance, using negative space, exploring color contrast, waiting for the moment, learning to incorporate mood and motion, and much more
- Sales Rank: #68081 in eBooks
- Published on: 2015-03-20
- Released on: 2015-03-20
- Format: Kindle eBook
About the Author
DAVID DUCHEMIN is a world and humanitarian assignment photographer, best-selling author, and international workshop leader whose spirit of adventure fuels his fire to create and share. Based in Vancouver, Canada, David leads a nomadic life chasing compelling images on all seven continents. When on assignment, David creates powerful photographs that convey the hope and dignity of children, the vulnerable, and the oppressed for the international NGO community. When creating the art he so passionately shares, David strives to capture the beauty of the natural world. He’s done assignment work in Ecuador, El Salvador, Dominican Republic, Haiti, Ethiopia, Malawi, DRC, Rwanda, Uganda, and Bangladesh, among others, and pursued personal work in places like Iceland, Antarctica, Tunisia, Cuba, Vietnam, Kenya, and Italy. Learn more at davidduchemin.com.
Most helpful customer reviews
35 of 39 people found the following review helpful.
Technique is a Servant of Vision
By Conrad J. Obregon
Lots of photography books teach beginners about basic technique, like exposure, focusing and composition. A few talk about learning to see. David DuChemin has constantly been in the vanguard of talking about developing one's vision.
This book, purportedly aimed at beginner and intermediate photographers, consists of 60 lessons or short essays, about creating photographs. Each essay is supported by a few of the author's excellent photographs. Throughout DuChemin emphasizes that technique is the servant of vision (my mantra, not the author's). Most lessons include assignments, although I often wonder how many readers actually work on such assignments.
How a person learns about photography from a book is very much dependent upon the individual. Still I believe that one ought to start out with what one author calls a "tell-me-all-about-it" book. Once you get the hang of it, a tip book may be useful, but generally I think most tips just teach the budding photographer how to handle a single situation, when the photographer would be better off learning a general principle that he or she could apply to most situations. All this is by way of saying that "60 Lessons" might appear to be a tip book, but if it is, it is far more profound than most tip books. Instead, it's like reading a well thought out blog. The lessons are arranged in a sequence that appears to be developmental, so that for example all of the lessons on the use of light are grouped together, but there are way too many gaps to ever learn photographic technique from this book. Instead DuChemin tells us that it is more important to relate to our subject in some way than to worry about, say, f/ stops.
There were ways that I seemed to disagree with the author, even though I think his overall view is essential if one wants to ever create art. For example, he seems to urge spontaneity and to be against over-planning. Yet today I was out taking a landscape photograph, and it required a lot more planning than could have happened spontaneously. I previously reconnoitered the site, checked "The Photographer's Ephemeris" for the best lighting, and brought along some specialized equipment for a panorama. I'm certain that DuChemin would say that planning a shoot in not inconsistent with spontaneity and openness. Perhaps it would be well for the reader to remember that there are a lot of inconsistent ideas in photography that are not rules, a point which DuChemin often makes.
Anyway, once you've finished that "tell-me-all-about-it" book, and had some chance to practice what it teaches, if you feel you want images that say more, that even start to approach art, this is a good book for you to read. Even some experienced photographers could benefit from DuChemin's lessons.
12 of 14 people found the following review helpful.
Just like taking a great workshop, at a fraction of the price
By Tracy Swift
This book is more helpful than most of the online photography workshops I've taken, and for a FRACTION of the price. I adore David duChemin's writing, and actually bought this as an ebook about a year ago, but having it in paper form is just so nice. He also improved it since the ebook version, with more chapters and an even better layout. I love the exercises and his writing. If I were to teach a photography class, I would make all my students buy this book and we'd use it as a text. The best thing about it, is that it works at any experience level. I used it when I was still learning the exposure triangle and just starting to shoot in manual mode. And now that I've been comfortable in manual for a year, I still find this book really inspiring and challenging. You won't be disappointed with this book.
5 of 5 people found the following review helpful.
The Visual Toolbox has been the perfect next step on my photographic journey
By Justin Artoff
I'm new(er) to photography, and have been reading a multitude of "beginner" books on the subject. After reading many books that all touched on the subject of the exposure triangle with little else to offer, I wanted more. Then I came across another of Mr. duChemin's books and greatly appreciate they way his passion for photography and vision to create compelling photos is the focal point of his writing. The Visual Toolbox has been the perfect next step on my photographic journey. I find the lessons both helpful and informative and I appreciate the challenges he gives. Perhaps most importantly, Mr. duChemin make me feel comfortable with where I'm at in my progression and the book gives me the direction and confidence to grow in my craft.
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